zackharold

Coffee keeps friendships warm

This column originally appeared in the Charleston Daily Mail on January 2, 2015.

I remember the day I became a coffee drinker.

I stayed home from school with a blazing sore throat. That afternoon, as I laid on my grandmother’s couch in misery, I got an idea.

I went to the kitchen, grabbed one of her green plastic mugs and poured myself a steaming cup of black coffee.

My sore throat was instantly soothed but the relief didn’t last long. I drank another cup and another and another.

Momaw cut me off after I downed a whole pot and started to make another one.

My dad was never much of a coffee fan — his beverage of choice is Pepsi in a can, not a bottle thank you very much — but my mom always seems to have a cup nearby.

I always liked the way it smelled (who doesn’t?) but never understood the appeal of the bitter brew… until that day I stayed home from school. The bitterness didn’t offend my taste buds any more. Now, it held a strange attraction.

My relationship with coffee has changed over the years.

At first, I drank it when I craved it. Then, in college, I drank it to keep me awake through early-morning classes.

I didn’t develop a full-blown dependency on the stuff I began working at the Daily Mail.

The old movies portray journalists as whiskey drinkers and cigarette smokers. That stuff isn’t allowed in the newsroom anymore, but reporters have more than made up for it with their caffeine habits.

But coffee is more than just a morning pick-me-up. It has become one of my central excuses for getting together with people.

As much as I enjoy social media, there is nothing like a face-to-face conversation with a friend. But asking someone to lunch feels like a commitment.

Asking someone for coffee, however, feels like a fun errand. It’s something you can slip out of the office to complete without feeling guilty.

And drinking coffee, unlike eating, leaves lots of time for conversation. No need to worry about talking with your mouth full. If there’s a lull in the conversation, just take a swig and continue on.

In 2012, comedian Jerry Seinfeld started a web video series called “Comedians in Cars Getting Coffee.”

The title says it all. In each episode, Seinfeld picks up his guest in a special car — his most recent two-part episode with Jimmy Fallon featured both a 1956 Chevrolet Corvette and a 1994 Land Rover Defender 90 — and takes them to get coffee.

Seinfeld did not begin drinking coffee until middle age but, once he did, discovered something that avowed caffeine addicts already knew.

“Meeting someone for coffee suddenly seemed like a wonderful, compact, accessible and portable social interaction,” he told National Public Radio’s “Morning Edition” in 2013. “You don’t even really need a place. But you feel like you’re doing something. That is what coffee is.”

I suspect I will come to rely on these “portable social interactions” more frequently in the coming months.

Today marks my last day at the Charleston Daily Mail. And while I am very excited for my next job, I will really miss all the friends I have made at this newspaper.

When I first arrived in the newsroom back in 2009, it didn’t take me long to realize this newspaper’s staff are more than just co-workers. The Daily Mail is a family.

I have celebrated my co-workers’ marriages and new births, mourned with them, laughed, argued and marveled with them as we watched history unfold before our eyes.

I count every one of the people here as a dear friend and I know they feel the same way about me.

So, now that we will work in separate offices, we will need an excuse to get together. And if I know one thing about newspaper reporters, they won’t pass up a cup of coffee.

The next one’s on me.

Published by zackharold on March 16, 2017 | Permalink

Carnival of Soles

This story originally appeared in the Charleston Daily Mail on Wednesday, May 7, 2012.

Jina Jordan has held several jobs in her life.

She owned a cleaning business and then worked as a pizza dough maker at Gino’s Pizza in Sissonville. She drives cars for the St. Albans Auction and repairs purses and leather jackets at the Fife Street Shoe Shop in downtown Charleston.

But over a decade ago, Jordan, 53, held her coolest gig of all. For one day, she was KISS bassist Gene Simmons’ cobbler.

The storied rock band played Charleston on May 2, 2000, on the first leg of their “Farewell Tour.”

KISS didn’t actually retire after that tour – they’ve embarked on seven more since then – but the Charleston date was one of the last times the band’s original lineup took the stage together.

Chris Dickerson, the Daily Mail’s city editor at the time, was eagerly anticipating that concert.

“I’m a huge KISS fan and over the years I became friends with KISS’s tour manager,” Dickerson said.

Tommy Thayer, who now plays lead guitar for the group, was KISS’s manager during the 2000 tour.

“I don’t remember all the details, but they had just got into town and there was something wrong with Gene’s boot. Tommy called me and asked me, ‘Where’s a good place I could take them?'” Dickerson said.

“I suggested the Fife Street Shoe Shop.”

That was the last Dickerson heard of Simmons’ boot problems. But it was the beginning of a very interesting day for Jordan.

On the afternoon of May 2, one of Simmons’ assistants brought the boots into the shop.

“It was a rush order,” Jordan remembers.

She had worked at the Fife Street Shoe Shop for about a year, spending much of her time repairing leather jackets and purses, mending rips, replacing zippers and fixing busted buckles. She learned to sew from her mother, Nadine.

“She sewed my sister’s wedding dress and bridesmaids’ dresses,” Jordan said. “I’ve got her old sewing machine, one of those real heavy-duty ones that you can sew blue jeans with.”

Jordan didn’t do a lot of work on shoes, though. Most of the broken heels and worn-out soles went to Andy Arthur, the shop’s manager.

But Jordan knew her client well. She graduated high school in 1977, two years after KISS got its first top 40 hit with “Rock and Roll All Nite.”

“I used to jam out to them when I was younger. I used to have them on an 8-track. We had a Cutlass, we called it a ‘Gutless.’ We used to jam to that,” she said.

The wildly costumed group became as famous for their onstage antics – Simmons’ fire breathing and blood spitting, Ace Frehley’s fireworks-spewing guitar, Peter Criss’ levitating drum set – as for hard-rocking hits like “Detroit Rock City” and “Calling Dr. Love.”

Well, Gene Simmons had aged a lot since Jordan was riding around in the Gutless.

He still was breathing fire and letting his foot-long tongue unfurl, but his ankles were swollen when he arrived in Charleston.

He needed wider zippers installed on the sides of his platform boots.

Though Jordan had done similar jobs before, replacing the zippers on Simmons’ boots presented some unique problems.

First, they were heavy. Even with all of Simmons’ metal adornments removed, the oversized footwear still weighed 35 pounds.

“I don’t know how he wore them onstage,” she said.

The boots also were wet when they arrived on Jordan’s workbench.

“That leather was real soft and the boots were still sweaty from the night before. It was hard to get them cut out,” she said.

Jordan was working on deadline, too: KISS was performing at the Civic Center that night and Simmons needed his boots fixed, pronto.

She started by slicing the threads that held the zippers to the boots’ leather. She had to be careful not to cut the soft, supple, soggy leather.

With the zippers removed, Jordan glued new ones in place. The glue normally sets up fast, but Jordan said the wet leather slowed the process. She used a fan to dry them, but that didn’t work very well.

Finally, after about an hour, the glue set up and Jordan stitched the zippers back into the leather.

“I guess he made it. He performed that night,” she said.

Jordan didn’t get to see her handiwork on stage, though.

Arthur told her he had received free tickets for helping the band, but that was just a little good-natured teasing among co-workers.

Jordan left the shoe shop about eight months after her chance encounter with the famous footwear. She got her old job back about two months ago but spent the intervening years as business-cleaner, dough-maker and car-driver.

She never forgot her most famous job, though.

“I still have the zippers.”

She put them in a plastic bag and placed it in a Pintor cigar box with newspaper clippings from the concert. For a long time, the zippers still smelled like Simmons’ sweat.

“I said, ‘I’m going to keep these ’cause someday something might happen with them.'”

If nothing else, the zippers help her prove that she’s not lying about her most famous client.

Published by zackharold on March 9, 2017 | Permalink

Dogs, by Design

This story originally appeared in the February 2017 issue of Wonderful West Virginia magazine.

Look around Old Hemlock, the historic Preston County home of writer and illustrator George Bird Evans and his wife Kay, and it doesn’t take long to get a sense of the lives that once filled these walls. There’s a folksy quilt on the bed, cozy wooden furnishings, a grand piano of the rectangular variety rarely seen anymore, and a big black manual Remington typewriter on a desk. There’s a well-worn long gun above the mantle and a deer skull on another wall. The bookshelves are sotcked with nature guides and books on dog breeding, as well as a sandstone carving of a long-snouted, floppy eared dog’s head.

Now, look closer. Notice how the woodwork and some of the furniture has been gnawed on. See the grooves carved in the hardwood floors, dug by thousands of cuts from excited clawed feet, the same paws that left scratches on the backs of doors. “He called it the patina of time,” says LeJay Graffious, administrator of the Old Hemlock Foundation. Graffious is the caretaker of the house now, and has staged it like George or Kay—or one of their dogs—might walk in any second. “You can’t really separate Old Hemlock from the setters.”

Known for their intelligence, unique appearance, and innate skill in the field, Old Hemlock setters have become one of the most storied bird dog breeds in the country. And it all stems from Evans’ desire to design.

Evans was a designer, by trade and by nature. When he decided to be a magazine illustrator, he spent years crafting a portfolio that would appeal to Cosmopolitan magazine and landed a job the day he dropped it off. When he saw magazines transitioning from illustrations to photography, he designed a life for himself and Kay at Old Hemlock, where he drew on a lifetime of hunting experience and fashioned a new career as an outdoors writer.

When he couldn’t find a bird dog that suited his tastes, he decided to design one of those, too.

* * *

There is a sepia-tone photo of George Bird Evans at 13 months old, seated on a small stool and dressed in a pale gown and severe black boots. Beside him lies Ted, his father’s black and white setter. Both boy and bird dog look off to the right of the camera’s lens, as if tracking the flight of a grouse just flushed from its nest.

As Evans writes in his 1971 book The Upland Hunting Life, some of his earliest memories are of his father and Ted leaving for a day of hunting. “It is things like this that mark us as shooting men years before we are men,” he wrote. Evans got his first shotgun just before his 13th birthday and learned to shoot quail with a setter named Nat. It was Nat’s son, Speck, that found the first grouse Evans shot, after hours of searching. “After he was gone, I carried his collar in my shooting coat until the scent of him had disappeared.”

Evans gave up dogs when he moved to New York City to work in magazines. But he wanted to get back to bird hunting when he and Kay moved to West Virginia in 1939 and began searching for a setter. He grew frustrated at his options, however. Breeders at the time seemed to care either about hunting or winning dog shows—so the good-looking dogs had lost their hunting abilities and the good hunters weren’t very pretty. Evans wanted both qualities in the same dog. “Form and function,” as Graffious puts it.

He purchased a stud dog from breeder George Ryman of Shohola, Pennsylvania, who had his own renowned line of setters. Evans named the dog “Blue” for his blue belton coloring. Several years later he brought Dawn, an orange belton, to Old Hemlock as Blue’s mate. The pair produced the first litter of Old Hemlock setters in 1947. When the dogs were just five weeks old, Evans selected an orange pup for his own and named him Ruff. This dog would become the template for the entire Old Hemlock line.

Ruff was a natural bird dog, helping Evans bag 547 grouse over his lifetime, and he never got sick. Evans also liked the shape of Ruff ’s head. He believed the formation of a dog’s skull affected its brain, and a long headbone meant a dog would be intelligent and sensitive with a good nose. This was certainly true of Ruff.

Ruff sired three litters of puppies, the third of which produced Dixie, “an exceptionally comfortable dog to shoot over, with intelligence to a degree that borders on neurotic,” Evans wrote. And Dixie later gave birth to Bliss. “I didn’t know it then, but it was Ruff coming back to me,” Evans wrote. “Although blue instead of orange, she had his type, his nose, his style on point and his magic way with grouse.” Bliss spent five hunting seasons with Evans, taking 250 birds. She likely would have had many more successful seasons but died during spay surgery the summer after she turned five years old.

Bliss’s abrupt death left Evans reeling, for more reasons than one. Not only did he lose a faithful companion and favorite dog, but his carefully curated Old Hemlock bloodline was about to come to an end. Luckily, a friend had bred one of Bliss’s siblings, Mark, to a Ryman setter. The friend gave Evans an orange puppy from that litter, which Evans named Briar. And, as fate and genetics would have it, Briar was as much a hunter as his great-grandfather, Ruff.

Evans made good use of this second chance. Briar sired a dozen litters during his lifetime, ensuring the Old Hemlock line would never again be in jeopardy.

* * *

Today there are 82 Old Hemlock setters scattered across the United States, from Maine down to South Carolina and as far west as Wisconsin and Minnesota. The breed’s renown grew alongside Evans’ reputation as an outdoors writer. His finely crafted prose brought Blue, Dixie, Ruff, Briar, and the rest of the Old Hemlock brood to life on the page and left readers wanting some of that magic for themselves.

That’s how Ray Brown first learned about Old Hemlock setters. He read Evans’ debut book, 1971’s The Upland Shooting Life, shortly after it was released and wrote a letter to inquire about getting one of the dogs. Evans agreed to put Brown on the waiting list, but only after he thoroughly vetted him over several more letters and phone calls. Two years later, in 1973, Kay called Brown with the news: George had a puppy for him.

Brown and Evans kept up their correspondence and became friends. The men found they had similar philosophies about hunting dogs. They appreciated animals that constantly quest for game with fire and drive but also check back in with their masters. Both men also believed in treating dogs like members of the family. This might be taken for granted today, but it was a remarkable idea in Evans’ time. Other men of his generation might trade dogs like pocket knives, but when a dog entered Evans’ life, it was there for life. Kay joked Old Hemlock was “the most elegant kennel south of the Mason-Dixon Line.”

Evans’ philosophy of dog-as-companion extended to breeding, too. He didn’t want a kennel of brooding bitches just waiting for a sire—he wanted both father and mother to be someone’s proven hunting partner. This created some logistical challenges, since Evans had to rely on each dog’s owner to facilitate breeding matches. He also wanted owners to agree they would not breed their dogs without his permission. “At first it was a gentlemen’s agreement, and a lot of people broke the gentlemen’s agreement,” Graffious says.

So Evans made things official. When owners got one of his Old Hemlock setters, he made sure to have both the owner’s name and his name on the papers. That way, no one could breed an official Old Hemlock setter without his permission.

When Evans died in May 1998, Brown took over the Old Hemlock line. Now, each dog’s certificate bears both the owner’s name and Brown’s. It’s all about quality control. “Not all dogs should be bred. We’re trying to use the best of the best to produce the kind of dog we’re looking for,” Brown says.

It is also now Brown’s job to vet potential owners—to ensure they share his and Evans’ beliefs about dogs and how they should be treated. It’s important to match dogs with the right people, because owners are automatically entered into an exclusive club. “You get an Old Hemlock setter, it’s more like an adoption and you become more like a family member,” Graffious says.

Until the end of his life, Evans stayed in close contact with all the owners, who often sent him photos of the dogs in the field and at home. He kept these mementos in a big wooden bowl in his studio, like a proud grandfather.

The family bond did not break when Evans died. Owners keep in touch through a newsletter. Each issue includes information about breeding activities, allows owners to ask questions or offer advice, and shares stories about training and hunting with Old Hemlock setters. And, each March, the setters and their owners get together for a family reunion of sorts.

The tradition began the spring after Evans died and now draws anywhere from 30 to 50 people, plus dogs, each year. Each year’s gathering begins with a big dinner on Wednesday night at Old Hemlock, followed by three days of hunting at a preserve in Pennsylvania.

There’s no need to wonder how George Bird Evans might feel about all this. He told us. “Humans seek immortality in bloodlines, even bird dog bloodlines,” he wrote in Troubles With Bird Dogs. “It is pleasant to hope that when Kay and I are no longer gunning, Old Hemlock setters will keep our ideals alive.”

Published by zackharold on January 23, 2017 | Permalink

Silver Bridge tragedy still haunts river city residents

This story originally appeared in the December 11, 2012 edition of the Charleston Daily Mail.

Ben Cedar crossed the Silver Bridge three times on the day it fell.

He was working as a Kirby sweeper salesman back then, and crossing the bridge was the fastest way to get across the Ohio River from his home base in Ravenswood.

“I was worried about that bridge every time I crossed over,” he said. “If you got stuck in the middle of that bridge, it would wave back and forth, back and forth.”

He crossed the Silver Bridge for the final time just before 5 p.m. on Dec. 15, 1967, headed for Gallipolis, Ohio. Once there he stopped at a Kroger store and used a payphone to call his office, just to check in.

As he was in the store, he overheard other customers talking about a bridge collapse. “I didn’t have any idea what they were talking about,” said Cedar, now 75. He asked someone what had happened, and they told him the Silver Bridge had fallen. “I said, ‘I just crossed that bridge 15 or 20 minutes ago.'”

Cedar headed back toward the span. He remembers seeing a large truck stuck on the Ohio side of the bridge, its trailer hanging down into the water. One of his co-workers was supposed to meet him in Gallipolis but had not yet arrived. For all Cedar knew, the man was on the bridge when it fell.

About the same time, 31-year-old State Trooper Rudy Odell was standing on the West Virginia side of the river. He also was surveying the damage. Odell, now 76, might have been the first law enforcement officer to respond to the disaster.

He was in downtown Point Pleasant when the bridge collapsed. Earlier that day, a man from Hutchinson Insurance called the local State Police detachment office wanting to talk with Odell, but he wasn’t at his desk. The secretary radioed Odell and asked him to stop by the man’s office. He parked his car on Main Street, just two blocks from the bridge’s on-ramp. He got out of the cruiser and had started to walk inside the insurance agency when he heard a low rumble. “It sounded like someone upstairs moving furniture,” he said.

Odell stepped back onto the sidewalk. A man across the street hollered at him, saying someone had gone through the bridge. Odell ran toward the river and up the bridge’s ramp, where he found a “very pregnant” lady standing beside her car. Her name was Charlene Clark. She had been on the bridge as it began to fall. Seeing the road collapsing before her, she shifted into reverse and sped backward toward land. Odell said Clark was “shook up,” but otherwise fine. “I would have been shook up, too,” he said. “It sheered off right at the water line on the West Virginia side.”

He left Clark and continued toward the collapse. It was a dreary, murky day, so Odell couldn’t see much of the wreckage. Some trailers had broken loose from their trucks and were floating downstream.

The murkiness did nothing to quiet the cries coming from the river, however. “I could hear them hollering for help. I didn’t know how many there were at that time,” he said. “There was absolutely nothing I could do. It was a long way out into the water. Nobody could get to it.”

Odell headed back to his car and radioed the State Police headquarters in South Charleston. He doesn’t remember what he did for the rest of his shift, but for the next few weeks he was stationed on a river barge helping recover vehicles and bodies from the river.

Forty-six people died in the disaster, but Cedar’s coworker was not one of them. He was one car back when the bridge collapsed, right behind Charlene Clark.

* * *

Opened in 1928, the Silver Bridge connected Point Pleasant and Gallipolis and was the first bridge in the United State to forgo a wire cable suspension for an “eyebar link” suspension, according to the West Virginia Encyclopedia. The bridge was held above the water using a series of flat metal links joined by steel “eyebars.”

These eyebars were about 12 inches wide and 2 inches thick, resembling giant-sized automotive wrenches. A crack in eyebar number 330, on the Ohio side of the bridge, brought the entire structure down. Odell said as the bridge collapsed, the deck turned upside down, dumping cars and trucks into the water. The bridge fell moments later, crushing many of those vehicles.

Workers had to remove pieces of the bridge from atop the cars before they could bring the vehicles out of the water. The U.S. Army Corps of Engineers leased 50-ton cranes to make the work easier, but the process was painfully slow.

Odell’s primary job was to tag victims found inside the cars with the location and approximate time of their deaths before sending them to the morgue. He said police weren’t attempting to identify the bodies at that point, but often could.

The State Police had received calls from people all over the United States concerned their relatives might have been on the bridge when it collapsed. When one of those loved ones arrived home safely, Odell said the families often called back so police could remove their names from the list of the missing. “We never brought up a vehicle or a person that we didn’t know was there before they came up,” he said.

Once, when the Army Corps of Engineer’s crane brought up a car, Odell found a father and the man’s young son. “He had one of those little winter suits on, with the fur around the collar,” he said. “And I knew the little boy. I knew his mother. You don’t get used to it.”

* * *

The Point Pleasant River Museum will have a special memorial service at 2 p.m. this Saturday to commemorate the 45th anniversary of the Silver Bridge Disaster and remember the 46 people who died.”

This is a part of history. A lot of people have been affected by this,” said Ruth Fout, who works at the museum and helped organize the event. “If they didn’t have a loved one on the bridge. . . they knew someone, or maybe their best friend’s father was on the bridge.”

Three of Fout’s neighbors died in the collapse. She was working as a clerk at Mason County Insurance at the time, just a few blocks from the bridge. “We were getting our coats ready to go home, and we heard a large noise. I can’t exactly explain how it was; I can just remember it sounded like a swoosh. Then the lights went off in the office. We didn’t know what had happened,” she said.

Then Steve Darst, her supervisor’s husband, came into the office. He always picked up his wife, Virginia, from work. As he was driving to the office that evening, he got held up in traffic near the bridge. While he waited, he watched as the bridge began to shake.” He said the eyebars looked like clapping hands,” Fout said. “He saw it fall.”

Fout was parked near the base of the bridge, but a floodwall blocked her view of the river. She could have walked another block to look in the water but did not want to. She got in her car and went home.

When she returned to Point Pleasant for a hair appointment the next day, Fout said the town was very quiet yet busy with activity as recovery efforts began. She continued to avoid looking at the river. “I never went back there during the time of the recovery,” she said.

Fout no longer averts her eyes. Beginning last year, she and her sister Ruth helped Hartford College professor Stephan Bullard and student Bridget Gromek write a new book, The Silver Bridge Disaster of 1967.

The book, which contains 200 photos and a history of the bridge and its collapse, debuted Oct. 1 and has been an instant success.”We’re trying to keep it alive for the future generations because, as time goes on . . . the story gets fainter and fainter,” Fout said. “It is something we don’t want to forget.”

And even a half-century later, parts of the story are left to be told.

About three years ago, Bill Needham, a former truck driver from North Carolina, came into the river museum and told Fout he was on the bridge when it collapsed. Needham said his rig quickly sank to the bottom of the Ohio River. He held his breath until he was able to roll down a window and swim out.

Fout said Needham told her the water was pitch-black when he finally escaped his truck but as he got closer to the surface, “he could feel the water getting lighter.” He grabbed onto some floating debris, and after 15 minutes in the water was pulled onto a rescue boat.

Needham’s driving partner, Robert Towe, did not make it out of the truck. Towe, of Cana, Va., was a husband and father of three small children. He had just built a new home and purchased a farm.

It was to be his last day as a long-haul trucker.

Published by zackharold on December 15, 2016 | Permalink

In Search of the Stone Man

This story originally appeared in the Fall 2016 issue of WV Living magazine.

Russ Jones navigates the woods with an ease that only comes through vast experience. His running shoes do not lose their footing on this steep, unmarked trail in Kanawha State Forest. As a certified Master Naturalist, he readily spots animal tracks and identifies birdsong, and he can name just about any plant he finds while also ticking off the bugs that like to munch on it. He’s seen just about everything there is to see in the woods. But this morning, Jones is in pursuit of something he’s never seen.

Russ Jones is looking for Bigfoot.

He doesn’t really expect to come nose-to-nose with Sasquatch in broad daylight in a popular state park. It’s more accurate to say he’s looking for evidence of Bigfoot. Jones is a local investigator for the Bigfoot Field Research Organization, a 20-year-old group made famous by Animal Planet’s Finding Bigfoot. The group has received several reports of encounters in Kanawha State Forest, so Jones is looking for places to stash his top-of-the-line field cameras to catch photos of the fabled beast.

The trail levels off, giving us a brief respite from the steep climb. Then Jones notices something a few yards in front of him. Something that shouldn’t be there.

For the Record

Russ Jones has never seen a Bigfoot, but he has on five occasions found what he believes are Bigfoot tracks. “I don’t mean a smudge in the ground. I mean a clear track, with toes,” he says. The first time, he was a boy in southern Ohio and knew nothing about Bigfoot. He was walking in the woods with his uncle shortly after a snowstorm. They came to a cave and found a print in the snow that looked like it had been made by a human’s bare foot. “We thought maybe some druggie found that cave to get out of a storm.” Years later, after Bigfoot research became his passion, Jones saw it differently.

He also thinks he has heard a Bigfoot a few times. Recently, Jones was hiking with his wife, Cheryl, near Thurmond in the New River Gorge. He heard four “wood knocks” from across the river. Bigfoot researchers believe the creatures bang pieces of wood together to communicate. There were no Bigfoot to be seen, however, when Jones reached the location of the noises an hour and a half later.

Most of his Bigfoot experiences have come vicariously. Following up on reports of encounters in West Virginia or Ohio on the BFRO website, Jones has talked to policemen, teachers, nurses, and prominent politicians. “If someone said, ‘What’s the most shocking thing about Bigfoot?’ I’d say it’s the witnesses. They’re so ordinary,” he says.

Scrolling through recent reports in his Dunbar chiropractic office during a lunch break, Jones finds one witness who reports working on a deer stand deep in the woods when he noticed something odd—banging noises rang through the air long after his hammer stopped. Later that day the man heard something large moving through the trees, although he was certain no other humans were anywhere near, and he smelled a musty, body odor-like stench.

Jones decides this account is credible, as much for what the witness wrote as how he wrote it. “This guy knows how to spell. His grammar’s really good. He knows where to use commas. I think it’s important to evaluate the context of a report.” Jones’ standards for credibility have risen over time. And for good reason. “When you make a remarkable claim, remarkable evidence is required,” he says.

Burden of Proof

The woods are quiet as Jones approaches a faded blue object near a sapling, now just a few feet away. It’s a Dora the Explorer sippy cup. He picks it up, sniffs the contents, and throws the cup back on the ground. Farther up the hill Jones finds something else: a gleaming white golf ball sitting on a bed of dark, decomposing leaves. To me, the discovery feels significant—what are these things doing here, on a steep hillside in the middle of the woods with no marked trail anywhere close? When you’re looking for Bigfoot evidence, everything seems like it could be Bigfoot evidence. This is a common amateur mistake, Jones says. “I think having an experience is an exciting thing at first but after a while, when you’re sure something exists, you’ve run out of interest in experiences.”

Jones admits the cup and ball are odd finds, but the hard evidence he’s looking for eludes him. He attributes this to the animal’s primate intelligence and its high wariness of humans. Unbelievers say evidence just doesn’t exist, but Jones believes most of them simply have not reviewed the evidence. That’s why he took it upon himself to plead Bigfoot’s case.

Earlier this year Jones released his book, Tracking the Stone Man. The title is taken from the Cherokee name for the mysterious, hairy creature the tribespeople sometimes encountered in the woods. The book is part memoir. It’s also a field guide, detailing common beliefs about Bigfoot and its behaviors, with tips on running an expedition. He discusses DNA tests on alleged Bigfoot hair and scat samples and includes several witness reports, the best of the best. “I put the ones in the book I know are true.”

Jones poured two years of his life into the book, yet he knows it isn’t enough. Only one thing will ultimately prove Bigfoot exists: a dead Bigfoot. “Eventually I think that’s going to happen. A coal truck is going to go around a curve and hit it,” he says. “Then the university people are going to come out of the universities and act like they know stuff.”

If they are someday proven correct, Jones and his fellow believers will be in good company. Up until the late 1920s, many Westerners believed the giant panda was just a myth—until Teddy Roosevelt, Jr. and his brother Kermit went on an expedition to China and shot one.

But let’s admit, even if Jones will not, there is a very real chance he has spent a significant portion of his life and a large amount of money pursuing a falsehood. What will Jones have lost?

Less than you might think. Real or not, this obsession has colored Jones’ life with a rare sense of adventure. “People have this idea that we’ve explored and found all there is to find. I just don’t think that we have. Maybe it’s romantic at heart to believe there’s something left for man to discover. But I think there’s a chance.”

And when you look at it like that—who doesn’t want him to be right?

Published by zackharold on November 10, 2016 | Permalink

How Gillian Welch Created an Americana Touchstone in ‘Revival’

This is an excerpt of a story that first appeared online at Rolling Stone Country on November 10, 2016. Read the rest of the story here.

Early afternoons were pretty quiet at the Lyric Springs Country Inn. The previous night’s guests usually left in the morning, headed for home or into Nashville about 20 miles away. The next guests would not arrive until evening.

This gave the innkeeper – a tall, waifish 24-year-old redhead from Los Angeles – all day to make the beds, dust the oil lamps and horsehair chairs, and tend to Jubal, her boss’s 200-pound English Mastiff. That’s one reason she liked this job. With only Jubal to keep her company, the innkeeper could spend all day composing songs aloud as she mopped the floors and pruned the peony bushes.

One morning, on her 40-minute commute from Nashville, the innkeeper was listening to a cassette tape of the Stanley Brothers. She decided to write a song the Stanleys might enjoy singing in their high lonesome voices. She reached over, switched off the cassette deck, and began to sing.

“I am an orphan, on God’s highway / But I’ll share my troubles if you go my way.”

The innkeeper continued to work on the song throughout the day, her voice ringing off the wood-paneled walls of Lyric Springs’ barroom and the porcelain of its toilets.

“I have had friendships pure and golden / But the ties of kinship, I have not known them.”

The song was finished by the time she got back in her car and headed home. What started as an idea a few hours earlier now had four verses and two choruses.

“I have no mother, no father / No sister, no brother / I am an orphan girl.”

When she got home, the innkeeper grabbed a guitar and her duet partner, an equally skinny guitar picker she’d met while attending Berklee College of Music in Boston. She played him the new song, but he didn’t say anything. “I thought, ‘Oh well, he doesn’t like it.’ But he says he didn’t say anything because he thought it was perfect, so what was there to say?” she recalls.

It wouldn’t be long before many people shared the guitar picker’s opinion. This song, “Orphan Girl,” would open lots of doors. It would launch a career that would make the innkeeper one of the most beloved figures in a new music genre called “Americana.” And it would take her away from scrubbing other people’s’ toilets forever.

Published by zackharold on November 10, 2016 | Permalink

High Hopes for a New Cash Crop

This story originally appeared in the August/September ’16 issue of Morgantown Magazine.

Susanna Wheeler prefers not to divulge the location of her summer garden. She’ll admit it is planted on WVU property, but that is as much information as she’s comfortable giving out. “We don’t want people to try to come up here and see what’s going on,” says the agronomy graduate student.

That’s because her crop, planted in neat rows on a quarter-acre plot, is instantly recognizable from certain dorm room posters, reggae albums, and Willie Nelson T-shirts. If you’ve ever stumbled into a shop that sells “for tobacco use only” items, you’ll instantly recognize its green, serrated leaves. Susanna Wheeler is growing Cannabis sativa.

Wheeler’s secrecy has nothing to do with getting in trouble with the law. She’s not worried about that. She just doesn’t want to attract any snooping onlookers who might interrupt her very important work—a research project that could potentially change West Virginia’s agriculture industry forever.

While her cannabis plants look identical to marijuana, they contain only trace levels of THC, the psychoactive chemical responsible for the plant’s popularity as a recreational drug. That’s why Wheeler and others who work with the crop usually refer to it as “hemp.” It’s the hard-working, buttoned-down member of the cannabis family, with a long history of industrial use. The ships that brought European settlers to the New World were all outfitted with strong hemp ropes, and hemp was one of the first crops grown in the English colonies. But it fell out of use over the last century as it was outlawed alongside its psychedelic cousins.

There is hope for a comeback, however. Laws are slowly changing, and farmers around the country are beginning to take an interest in hemp again. West Virginia is beginning its own experiment with hemp this year. If the plant is able to thrive in West Virginia’s soil and growers can find willing markets, proponents believe hemp could be the next big industry our state so desperately needs—to the tune of millions of dollars and dozens of market applications.

ROOM TO GROW

It wasn’t too long ago that growing hemp, for any reason, was downright illegal. Despite hemp’s lack of THC, the U.S. Drug Enforcement Agency (DEA) still considers any varietal of cannabis a Schedule 1 drug. It’s on the same list as heroin, LSD, mescaline, and MDMA, also popularly known as Ecstasy. But when Congress passed the 2014 Farm Bill, lawmakers included a provision allowing state agriculture departments and colleges and universities to grow hemp for research purposes, as long as state law allowed for hemp farming.

West Virginia’s neighboring state of Kentucky, which was the nation’s largest grower of hemp before it was outlawed, has made a large investment in hemp research. After beginning with just about 30 acres of hemp in 2014, this year the Kentucky Department of Agriculture approved more than 160 individual growers, not including university projects, to produce almost 4,500 acres of hemp.

Although Kentucky’s program is still focused entirely on research—that’s all federal law allows, after all—several processors have sprung up in the state to purchase growers’ crops. There are companies that process the fiber for textile production, clean the seeds for food use, and extract and refine oil from the seeds. There’s even a distillery in Harrodsburg, Kentucky, that makes hemp grain moonshine.

Hemp farming has technically been legal in West Virginia since the 1990s. The law as it was written allowed growers to raise hemp as long as they obtained permits from the West Virginia Department of Agriculture and the DEA. No hemp was ever legally grown since neither agency was issuing hemp permits back then, but the state wanted to be ready in case that day eventually arrived.

After Congress revised the Farm Bill, state lawmakers in 2015 removed the requirements for a DEA permit from West Virginia Code and created an application process for the hemp program. Eric Ewing, director of the agriculture department’s Plant Industries Division, says he got many phone calls when that application process began on June 1, 2015. But only a few growers actually decided to take the plunge.

Seven West Virginia growers, including Wheeler, now have full licenses to grow hemp. Morgan Leach, executive director of the West Virginia Hemp Farmers Cooperative, estimates those growers have a combined 10 acres of hemp in the ground. Each operation will receive regular visits by Ewing and his staff as they test THC levels in the plants, because state law requires levels to be below 0.3 percent. “Most of them are starting small, which makes sense,” Ewing says. “Anything new like this, you’ve got to start somewhere. We’re in our infancy.”

ROOTS OF AN INDUSTRY

Marty Biafora, director of operations for Morgantown-based iHemp, says his company is growing about 5 acres of hemp this year and soon will begin growing plants indoors at a 1,000-square-foot hydroponic facility. When it comes time this fall to harvest those plants, Biafora says there isn’t much use for them. Hemp can’t be transported across state lines—more about that below— and there’s nowhere to process hemp in West Virginia right now.

But Biafora isn’t concerned. He fully expects it will be years before the hemp industry turns a profit. “Our goal is to just get seed in the ground, get it up, go through the process of harvesting whatever amount we have, so we can know what to expect next year,” he says. “This is just an exploratory process to get the industry up and rolling.”

So what might the hemp industry look like once it’s all grown up? Leach imagines a day when the abandoned warehouses dotting the

Ohio River Valley are filled with hemp or hemp products waiting to be loaded onto river barges, trains, and trucks and shipped to the rest of the world.

“There is not another crop on the planet that has the utility of hemp,” Leach says. Its fiber can be used to make paper, textiles, rope, insulation, plastics, concrete substitutes, and fiberboard that’s stronger and lighter than wood. Leach is president of Agri Carb Electric, a company that he hopes will make hyper-efficient batteries from hemp fiber.

But the uses don’t end there. Hemp seeds are packed with proteins, fatty acids, vitamins, and minerals that proponents claim boost immunity, prevent varicose veins, and lower cholesterol, among other purported health benefits. Hemp seeds also can be pressed to extract oils, which can be turned into biofuels, paint, detergent, and a legion of other products.

In 2015, the U.S. retail market sold more than $570 million in products made from hemp fiber, hemp seeds, and hemp oil, the Hemp Industries Association estimates. That includes $280 million in hemp food, food supplements, and body care products, up more than 10 percent over 2014 sales figures.

Leach believes sales will continue to grow as the industry develops—28 states now have laws allowing hemp research—and he’s confident hemp could be the big diversifier West Virginia’s fossil fuel-focused economy needs. He’s been in contact with a company that makes mats for mechanics, for which it imports 500 tons of hemp each year from Bangladesh. There’s also a food producer that uses 400 tons of hemp seed per year.

Capturing even a fraction of the international hemp market could be an unprecedented boon for the state’s agriculture sector. Most of West Virginia’s farmers do their work on evenings and weekends while relying on day jobs to pay the bills. According to 2007 Census statistics, four out of five West Virginia farms make less than $10,000 a year.

Leach says he doesn’t know how large the Department of Agriculture will allow the pilot program to get, but the West Virginia Hemp Farmers Cooperative already has about 40 people interested in growing hemp on their properties next year. “It’s a wide-open space, if you can navigate the legal hurdles to get it done,” he says. “As long as the sun shines, we’re in business.”

But, as Ewing at the agriculture department pointed out, the modern hemp industry is still only a seedling. It’s unclear what the fully grown business would look like—how deep its roots would go, how wide its leaves would reach. We don’t even know for sure how well the plant will grow in the state.

This is where Susanna Wheeler comes in.

FARMING IN THE DARK

If a West Virginia farmer needs advice for growing tomatoes, watermelons, wheat, asparagus, alfalfa, or any other common agricultural product, experts at the WVU Extension Service can provide most of the information she needs. Extension agents have access to data on the best times to plant crops, the best times to fertilize them, proper soil acidities, the optimal spacing of plants in fields, and many other variables. But, for the most part, hemp growers in West Virginia are flying blind.

Wheeler came back to WVU last fall. The Charleston native earned her undergraduate degree in agriculture in 2012, then moved to Nicholas County, where she spent some time growing vegetables for farmers’ markets, growing sorghum for molasses, and tapping maple trees for syrup. When she returned to Morgantown to work on her master’s degree, she planned to spend her first summer researching cover crops, varieties of plants grown during agricultural downtimes to protect and enrich the soil.

But then her roommate mentioned the agriculture department’s hemp program. “I started reading about the legislation that was passed and decided I’d like to do a small experiment on the side,” she says.

The more she learned about hemp, however, the more she realized a small experiment wouldn’t be enough. “We know almost nothing about how it will grow in the state. We don’t know what varieties to recommend, we don’t know what fertilizer to recommend,” says Louis McDonald, WVU professor of plant and soil sciences and Wheeler’s adviser. Most of the U.S.-based hemp research Wheeler has uncovered dates back to the 1940s. “It’s not really relevant to our modern agricultural practices,” she says.

Wheeler discovered some basic information from a French textbook, along with a few journal articles and research papers. She got some advice from growers in Kentucky whose own hemp

experiments began a few years back. But there’s nowhere for West Virginia farmers to get state-specific information about hemp. “There’s so much research that needs to be done. I immediately became overwhelmed,” she says. She pitched the idea to McDonald, who agreed to give it a shot.

After completing the application process with the state agriculture department—which included state and federal background checks—Wheeler obtained an importer permit from the DEA before tracking down overseas companies to provide her hemp seeds. “They’re not plentiful. It’s not like, let’s go to Southern States and get some varieties or do a quick Google search.” She eventually found a broker based in Kentucky who had relationships with Italian and Polish hemp seed vendors. The seeds mostly arrived without incident, although U.S. Customs in New York held up one order for three weeks.

Wheeler finally planted the first of her seeds in late May, in that undisclosed half-acre plot on WVU property. She planted five varieties of hemp to see how well they would grow in West Virginia’s soil and climate conditions under different fertility levels, which she controls by adding compost to the plants.

She also began a second, smaller research project in late June to test hemp’s abilities as a “hyperaccumulator.” Other researchers’ findings suggest the plant might be able to extract harmful elements like cadmium, lead, and zinc from the ground. Wheeler has a few dozen plants growing in pots of contaminated soil at a WVU greenhouse. If the results prove promising, hemp eventually could be used to remediate former industrial sites.

GROWING PAINS

For all the excitement surrounding hemp, there are still a lot of hurdles to clear before the plant can become a full-fledged cash crop. Lawmakers earlier this year passed an amendment to the agriculture department’s rules to exclude private growers from the hemp program.

“That’s what our attorneys advised us,” says State Senator Bob Williams, a Democrat from Taylor County, who made the amendment. He says West Virginia Code only allows the Department of Agriculture and state colleges and universities to grow hemp, so issuing permits to private growers is beyond the department’s authority. “We were trying to make the rule conform with the code.”

The changes disquieted hemp growers, many of whom had already invested money into the project, Governor Earl Ray Tomblin vetoed the bill but Williams still believes the Department of Agriculture is operating the project outside the bounds of state law. “I’m not a lawyer, that’s just my opinion. But I think the law is clear as to what is allowed,” he says.

The agriculture department reads the law a little differently.

Chris Ferro, the department’s chief of staff, says the Farm Bill clearly allows for cultivation and marketing of hemp. “While there’s no definition of marketing (in the law), a dictionary definition of marketing means to sell,” he says. “Our interpretation was, if Congress wanted us to research and market, that’s what we intended to do.”

Federal laws and regulations provide their own challenges to hemp growers and officials. When Eric Ewing had to take hemp seeds from his office in Charleston to a grower in the Eastern Panhandle, he couldn’t drive his normal route through Virginia and Maryland. “I had to go all back roads, staying in-state, because if I’d crossed state lines I would have been transporting controlled substances across state lines.” That’s a felony.

Ewing also made sure to bring lots of identification and paperwork on the off chance he’d be stopped by a curious police officer along the way. “We were very careful not to speed. Not that we aren’t always, but we were extra careful,” he says.

And even once the hemp is fully grown, growers cannot transport their crop across state lines—it must first be processed into textiles, paper, seed oil, or other products. But as of right now, there aren’t any producers in West Virginia ready to turn raw hemp into end-use products. One grower does have plans to buy a seed oil press, but his operation is not up and running yet. “It’s going to lose its novelty unless you can sell it,” Louis McDonald says.

Morgan Leach at the hemp farmers’ co-op says these issues likely will not go away until Congress completely legalizes hemp. And until that happens, the hemp industry likely will not get the one thing it needs most to thrive: money.

For the time being, Wheeler is doing all her research alone, for no pay. McDonald says the agronomic study of hemp is so new it’s difficult to get funding for research. “Because it’s such a rigmarole to get seed, nobody’s willing to give you money until you can show you’re able to get seed. My hope is we can do this little project now, get the seed, collect data, secure our plots, do the research … (and) next year it will give us leverage,” he says. “Lots of university people are interested, but they don’t have money to do additional research. It’s always the problem: Where’s the money going to come from?”

McDonald says if the industry ever takes off in West Virginia, we’ll have Wheeler to thank. “She has done an enormous amount of work,” he says. “She’s the one who’s worked with these seed companies, worked with the Department of Agriculture, tried to get these additional growers to participate. It would not be here without her.”

Despite worries about money and legality, Wheeler is plowing ahead. Her projects will likely run through October, when she will harvest seed from the hemp plants. If she’s able to get enough funding, she’d like to test soil samples to see how hemp changes soil’s chemical makeup.

She knows these experiments will only answer a handful of the questions that remain about hemp. But it’s a start. “There’s a lot of speculation,” Wheeler says. “There are prolific pro- and anti-hemp beliefs. But right now, they’re just that. Beliefs.”

Published by zackharold on September 14, 2016 | Permalink

A Creek Runs Through It

This story originally appeared in the September 2016 issue of Wonderful West Virginia magazine.

The fish weren’t biting when Rick Burgess and his twin brothers Denny and Danny arrived at Spruce Knob Lake for a weekend camping trip in 1976. Denny suggested they try their luck in a nearby stream he’d heard about, so he and Rick threw their gear into the Mustang II they’d driven on the trip while Danny stayed behind.

The brothers drove the winding roads about 15 minutes away to a property separated from the road by a gate. They parked the Mustang, hopped the gate, and began walking a path they hoped would lead them to Denny’s trout stream.

The brothers rounded a bend. They found the stream. And then they saw the ground open up and swallow the creek whole.

Rick and Denny had found Gandy Creek. But they had also stumbled across one of West Virginia’s geologic treasures. “I had no idea what I was looking at. We were on this beautiful little trout stream and all of a sudden it goes into this cave,” he says. It wasn’t until later, a good while after they returned from the camping trip, that Danny saw a feature in the Sunday newspaper and finally learned the name of the cave his brothers had found: the Sinks of Gandy.

This popular cave is located in eastern Randolph County just a few miles from the highest point in West Virginia, Spruce Knob. Gandy Creek runs through the Sinks for a mile and a half beneath Yokum Knob before emerging near Dry Fork Road. It has become a regular stop for cavers of all experience levels. Thomas Komir, a course director at the nearby Mountain Institute, has led hundreds of summer campers through the cave. Because the cave requires little technical skill, he says it’s a perfect introduction to spelunking. “There’s very minimal climbing,” Komir says. “You’re basically walking in the streambed, and it’s mostly flat.”

Although his campers are often intimidated at first, Komir says it doesn’t take long for them to overcome hteir hestitations. “They usually love it,” he says. “We walk through the water in the cave and when we reach the other side, they’re ready to do anything. Oddly enough it’s the adults who have a harder time with it.”

The Sinks are named for a family of early settlers in the area. According to family legend, the cave served as a hideout after Samuel Gandy deserted from the Revolutionary Army at Valley Forge. He was captured, jailed, and sentenced to hang but his brother Uriah broke him out. They escaped to Virginia and sheltered in what would become known as the Sinks of Gandy until spring.

The general public first learned of the Sinks through “The Mountains,” a fictionalized account by David Hunter Strother published in Harper’s New Monthly Magazine in 1872. In the story, a band of Virginia gentlemen organize an expedition to find the “tunnel of Gandy.” Although the story captured the imagination of readers nationwide, Strother, writing under the nom de plume “Porte Crayon,” did not paint locals in a flattering light. His narrator imagines West Virginians as “mountain nymphs” and “rude swains” with “loutish movements” and “bobbing steps.”

This, of course, is only recent history. The real story of the Sinks of Gandy goes much further back—more than a half-billion years.

A LIVING CAVE

Our tale begins in a time of great geological turmoil. At the beginning of the Paleozoic Period, more than 540 million years ago, all the dry land on Earth was joined in a supercontinent geologists call Pannotia. But the tectonic plates below the planet’s crust began to shift, and the land slowly began to break into several smaller continents.

These changes were accompanied by a dramatic change in the Earth’s climate. The oceans rose and created warm, shallow inland seas that covered parts of what is now North America. Over the next 290 million years, the bottom of those seas became littered with shell material, coral, algae, fish waste, and the remains of all manner of marine life. As that material piled up and was covered over by sand, dirt, and rock, the pressure compressed this sediment and formed limestone. “All throughout the Paleozoic, you have layer after layer after layer of different rock types forming. It’s like a big layer cake of different rock,” says Ken Ashton, a geologist with the West Virginia Geological and Economic Survey.

By this time the continents began to slowly drift back together, forming another supercontinent known as Pangaea. The immense pressure created by these colliding landmasses caused the sedimentary rock to fold and crack. “That nice bed of limestone, now it’s being pushed up,” Ashton says. Eventually this created a long line of towering crags we now call the Appalachian Mountains.

At the time, the range was as tall as the Himalayas. Over the next few million years glaciers and prehistoric rivers whittled down the peaks to the gentle rolling hills of today. The limestone remained, however, buried deep beneath the mountains. And the water that eroded the tops of the mountains also started to cut caves beneath them.

The Sinks were formed in the same way as most of Earth’s caves—the slow, gradual dissolution of limestone. “Limestone is the cave-forming rock. Anywhere you’ve got limestone, you have a potential for caves,” Ashton says.

The process is familiar to anyone who suffers heartburn. Limestone is made from calcium carbonate, the same stuff as antacids like Tums. “You might as well chew on a piece of limestone. It neutralizes acid. Consequently, acid will dissolve calcium carbonate,” Ashton says. Because natural water can be slightly acidic, over time rivers and streams began to cut paths through the limestone. “Everything you see in a cave, everything about any cave was formed by acidic water dissolving limestone,” Ashton says.

Over years and years, Gandy Creek pounded against the limestone under Yokum’s Knob and slowly began to work its way underground. Cracks formed, allowing more water to flow through, which increased the process of dissolution. “The cracks just kept getting bigger and bigger, and that’s how the Sinks of Gandy were formed,” Ashton says.

Of course, Gandy Creek still flows through the cave today. And since water still dissolves limestone, the Sinks continue to grow and change before our eyes. It’s just taking so much time we don’t notice. “Geologic time is very slow,” Ashton says.

A LASTING IMPRESSION

Time has moved faster for Rick Burgess. He left West Virginia for Texas a few years after that fishing trip with his brothers. He returned to the Mountain State in the mid-1990s and still thought about the Sinks from time to time, but never made the trip back. At some point, he realized it had been nearly three decades since he first laid eyes on the Sinks of Gandy.

“I always wanted to go back. I knew it was a place not many people knew about,” Burgess says. “I wanted to see it again, because it had made such an impression to me the first time.” In 2013, he decided to try and find his way back. There was just one problem. “I had no idea how to get there,” he says.

Burgess drove around, trying in vain to find the gate he and Denny hopped all those years ago. He eventually flagged down a pickup and the driver pointed him to right spot. He climbed the fence, walked down a gravel road, and found the familiar depression in the earth.

Although he did not explore the cave’s gaping mouth on his initial visit—he was pretty claustrophobic at the time—Burgess was braver this time. He waded into the cave’s entrance with his Nikon camera.

As he entered, a thunderous noise erupted around him—he had disturbed a family of swallows nesting in the crevices of the rock. “They just start darting out everywhere. You’re in a natural sound chamber, so the sound is incredible,” he says.

Eventually the noise settled down, and Burgess was able to tune into the other sights and sounds of the cave—the logs stuck in the ceiling from long-ago floods, the bird nests in the rock, the trickling of the water, the light reflecting off the surface.

After going nearly 30 years without seeing the Sinks of Gandy, Burgess is now a regular visitor. He has been back several times since his 2013 excursion. He’s taken photos of the cave in the spring, summer, and fall. He hopes to go back soon for some wintertime shots. “A lot of times that area, there’s always a lot of snow. I’d like to get a shot where there’s a few inches, being on the inside looking out.”

His photos have caused others to ask how to find the Sinks and see the cave for themselves. But, like an angler guarding a favorite fishing hole, Burgess is hesitant. “On one hand you want other people to know about it and experience it for themselves,” he says. “And on the other hand—it’s kind of selfish, I guess—you don’t want people to know about it.”

EXPLORING ON YOUR OWN

Spelunkers have been exploring the Sinks of Gandy for generations. But even a relatively easy cave like the Sinks is full of potential hazards for inexperienced explorers. Geologist Ken Ashton recommends cavers always have at least three sources of light. “Once you get in there, there is no light. Be prepared,” he says. “I’ve seen people go through there with nothing but a Coleman lantern, and that scares the crap out of me.”

He recommends wearing good, sturdy shoes—it’s all too easy to twist an ankle while walking across the slick rocks in Gandy Creek—and a helmet. “It’s dark and you can’t see the rocks in the ceiling.” Ashton also says it’s a good idea to take along some friends on your adventure. “It’s safer, and you’ll have a better time,” he says.

And because Gandy Creek is prone to flooding, cavers of all ability levels should keep the weather forecast in mind. In the event of heavy rain, water levels inside the Sinks can rise really high, really quickly. “Never go into that cave if there’s a chance of major rain,” Ashton says. “There are parts, you can look up into the ceiling and see sticks and branches that got stuck from previous flooding events.”

A 1941 Saturday Evening Post article tells the story of a band of Ohioans who became trapped in the Sinks of Gandy on Memorial Day 1940 when a cloudburst raised Gandy Creek by three inches, flooding the cave and cutting the party off from the outside world. Lucky for these spelunkers, they discovered the Sinks’ alternate exit and made their way out—wet, shaken, but otherwise unharmed.

With the proper precautions in mind, Ashton says the Sinks can provide a great introduction to the exciting sport of spelunking. “It’s a neat way to experience wild caving without getting the crap beat out of you,” he says. “As long as you can follow the flow of the water, you’ve got Gandy Creek to guide you.”

Published by zackharold on August 29, 2016 | Permalink

At River’s Bottom

This story originally appeared in the August 2016 issue of Wonderful West Virginia magazine.

At first, no one knew exactly what was happening, or why. But one fact was clear—lots of things were dying in Dunkard Creek.

Division of Natural Resources fisheries biologists Frank Jernejcic and Dave Wellman were at the Monongalia County stream almost every day during the September 2009 fish kill, surveying the damage. Lifeless fish lay dead on the shores and sandbars. The fish that remained alive thronged into pools of unspoiled water created by the confluence of Dunkard’s tributaries with the main waterway. “They couldn’t move into the main flow of the stream. They were stuck in these little areas,” says Jernejcic, who retired in late 2014.

The fish couldn’t swim upstream into those tributaries because the water level was too low. “They were frantic, like if someone sets off a bomb in the middle of a fairground and people try to make it to the exit,” Wellman says. Jernejcic remembers the last two he saw alive, a carp and a muskie. By the next time he visited the pool, those fish were died, too.

And then there were the white soft clumps of matter Wellman noticed floating downstream. “The first couple times I saw them, I thought it was clumps of toilet paper,” he says. But he realized it was much more worrisome than litter. After checking with fellow DNR biologist Janet Clayton, Wellman confirmed his hypothesis: those white clumps were actually mussels, floating free of their shells after they were killed by whatever unseen force wiped out the rest of Dunkard Creek’s aquatic life.

More than a week later, biologists finally figured out what caused the Dunkard Creek kill. A mine drainage pipe was dumping high levels of chlorides into the stream, creating brackish conditions that, when combined with low water levels and hot weather, created a perfect environment for Prymnesium parvum—more commonly known as “golden algae”—to grow. When the algae bloomed, it released deadly toxins that damaged the gills of fish and mussels, causing them to choke to death.

In the end, around 21,000 fish and 25,000 mussels died in the kill—every single living thing that called Dunkard Creek home. “Normally you have some fish alive. In this case, there were no fish left,” says Jernejcic, who saw hundreds of events like this in his career, and even served on the national committee that wrote the handbook on investigating fish kills.

Then, over the following weeks and months, something amazing began to happen. The algae dissipated as weather and water conditions shifted. Fish moved up from the Monongahela River and lower sections of Dunkard Creek. Within a year, biologists found 90 percent of fish species had returned to the stream. Within two years, 100 percent of species had returned, although the populations took a few more years to reach pre-kill levels. “It recovered very quickly,” Jernejcic says. “Two or three years later, I fished it and had one of the best smallmouth trips of my life.”

But not everything bounced back so easily. Years passed and the mussel population in Dunkard Creek remained nonexistent. Clayton, DNR’s foremost expert on mussels, says it can take centuries for mussel populations to recover after a catastrophic event because of the slow and cumbersome way these mollusks reproduce. “In a case like Dunkard Creek, it probably never would,” she says.

Luckily, Mother Nature has people like Clayton to help her along.

* * *

DNR began its mussel restoration project in Dunkard Creek in 2011. Crews began collecting fully mature mussels during stream surveys and pulling others from streams where construction projects threatened the native mussel populations. They came from the Ohio River, Elk River, Tygart River, and several smaller streams including the unaffected north West Virginia fork of Dunkard Creek, and were planted directly in the substrate of Dunkard Creek.

Clayton and company also began growing their own mussels. In 2011, Clayton and her team moved their first brood stock into DNR’s facility in Belleville, Wood County. Mussels reproduce sexually—meaning both a male and female are required for the process—but since they can’t move to find a mate, male mussels release their sperm into the water, hoping a female somewhere downstream will catch it and use it to fertilize her eggs. This fertilization can take some time. For mussel species known as “long-term brooders,” this stage can last the entire winter.

Once the eggs have matured into larvae called “glochidia,” it’s time for another trip downstream. The mother mussel releases her glochidia into the water where, if they’re lucky, they will latch onto the gills of a passing fish. Or at least that’s how it works in the wild. At Belleville, Clayton’s crew placed the glochidia in a holding tank with small fish and then used a pump to aerate the water to keep the glochidia moving around, increasing their exposure to a potential host.

Mussels are picky about their hosts. While some species of mussels will work with entire groups of fish, other mussels require an exact subspecies before they’ll grab hold. Some, for example, only use skipjack herring. “There’s others that use catfish, there’s others that use darters,” Clayton says. “There are mussels that we still don’t know what their host is.”

For mussel species that require larger fish as hosts, Clayton had to take a more hands-on approach to inoculation. She collected the glochidia in a syringe, and then squirted it onto the gills of an appropriate host fish. She only used one side of the fish, however, to ensure the fish were not over-inoculated and had difficulty breathing.

Larvae develop into juvenile mussels during their time as parasites. When the mollusks have developed enough to survive on their own, juvenile mussels simply drop off their fish hosts and find a home on the bottom of the stream. In 2012, Clayton and her team released inoculated bluegill and drum fish at four different sites on Dunkard Creek, hoping the juveniles would settle into the streambed and begin to replenish the population. They also released fish in 2013 and 2014.

Things have not gone as Clayton hoped. “So far we’ve not seen any response,” she says. This difficulty did not come as a surprise, however—she knew from the beginning the odds were stacked against her project. The mussel reproductive process is long and finicky, and in the wild is largely a product of luck. Despite biologists’ efforts to circumvent luck, sometimes the natural order still prevails.

But that doesn’t mean Clayton has stopped trying. Mussels are far too important for that.

* * *

Clayton first became interested in mussels back in 1989. She worked for DNR’s Office of Water Resources at the time, and was in her office one day when she overhead a new employee complaining just outside her door. Their boss was going to make him attend a class on mussels, and he did not want to go. Clayton jumped at the chance and volunteered to take his place. “Once I took the class, I was fascinated. They’re just amazing,” she says.

It wasn’t long before she moved to DNR’s office in Elkins where she got involved with a research tracking acid rain’s effects on fish. She still was working on mussel projects on the side, and over time her work became less about acid rain and more about mussels. When the research program wrapped up, her bosses asked Clayton developing a new mussel program for the agency.

Mussels are found all over the state—West Virginia is home to about 63 species, nine of which are on the U.S. Fish and Wildlife Service’s endangered species list. And despite their humble appearance, mussels are extremely important to their ecosystems. Because they bury themselves into the streambed, they help prevent erosion like trees on a hillside.

They are also nature’s sewage treatment plants. Mussels feed themselves by drawing water through their siphons and filtering out particulate matter and small organisms—a single mussel can filter five gallons of water a day. It’s not just food they are pulling from the water, however. “They also filter out the contaminants,” Clayton says. “They’re filtering everything out of the water. What they don’t use in their bodies, they’re binding into pseudofeces. Other critters can eat that. That’s less for that our water treatment plants have to deal with.”

But as helpful as they are to their ecosystems, mussels are also extremely vulnerable creatures. Most of the events that lead to mussel deaths are not big, dramatic happenings like Dunkard Creek. Clayton says mussel deaths are usually caused by a slow accumulation of sediments over time. “We have a lot of sediment impacts from road construction, from the oil and gas industry,” she says. Chlorides, like those found in fracking fluid or road salt, are especially dangerous. “That’s highly toxic to mussels, and even more toxic to juvenile mussels.”

They are also threatened by invasive species. Zebra mussels—a nickel-sized freshwater mollusk originally native to Russia—killed 25 percent of the native mussels in the Ohio River in 2000. The native mussels sucked the microscopic zebra mussel larvae through the water column while trying to feed. As the larvae develop, “they become this ball of zebra mussels on top of the native mussel,” Clayton says. The intruders use up all the food and oxygen in the water and starve out the native mussel.

By and large, there’s little anyone can do about these threats. The golden algae could come back, if the conditions are right. Clayton says industrial disasters seem to be getting more and more frequent. There’s nothing to prevent zebra mussels from entering the state’s waterways.

But she can try to repair what’s been broken. Although the Dunkard Creek restoration isn’t going very well at the moment, there have been other, more successful projects. When chemical spills on the Ohio River killed thousands of mussels, Clayton and her team went into the river to stock adult muscles. “Our main purpose was to get some mussels in there to help hold the substrate,” she says. But those mussels made way for more to follow. “The last time we surveyed it four years ago, we picked up an endangered species that has naturally recruited back into that site.”

It’s these kinds of victories that keep Clayton fighting her fight. Although it has been nearly 30 years since she attended that first class on mussels, her passion for the creatures remains as strong as ever. It might seem odd to some to devote so much energy—not to mention a career—to these often overlooked, not very attractive, bottom-feeding creatures. But for Clayton, it’s no mystery. “They’re quite important,” she says.

Published by zackharold on August 29, 2016 | Permalink

Making the Stage

This story originally appeared in the summer 2016 issue of WV Living magazine.

Arrive late to a show at the Jerry Run Summer Theater and you can hear the music as soon as you open the car door. Low frequencies seep from the uninsulated walls, drawing you along the worn grass path toward the green front doors. Inside, after you’ve paid the $5 entrance fee and a few bucks more for a hot dog and bottle of pop, the theater will be dark except for the stage lights and the fading sunlight that wriggles through the louvered, glassless windows.

Slip into the rows of thickly padded auditorium seats and you’ll likely go unnoticed. The crowds at Jerry Run are known for their attentiveness to the entertainment. But look around. See the scores of smiling faces. Neighbors will be tapping their feet and bobbing their heads to the music, alongside folks from farther away who’ve come to see this little theater in rural Webster County. And in the corner of the balcony, show after show, you’ll find Dusty Anderson—the soundman, master of ceremonies, handyman, and janitor, and the guy who designed and built the theater from the ground up.

Anderson is a lifelong music fan, having learned the basics at the knee of his organ-playing grandfather. In high school, he played electric bass in a rock band. But when he graduated and started working as a carpenter, his interests shifted—instead of playing music, he dreamed of building a place where he could host performances by other artists.

He was inspired by a benefit concert he and wife Renee organized to help save the local elementary school from consolidation. The school’s gymnasium wasn’t the most acoustically appealing space, but the response was overwhelming. “People really enjoyed themselves. It brought pleasure to their lives,” says Renee.

Dusty started researching theater construction, trying to find books about acoustical design at the local library. “I believe in a blueprint,” he says. The information proved lacking. Good acoustics, the authors seemed to suggest, are as much a matter of luck as anything else. This did not intimidate Dusty, however. He began making models of his theater, planning how it all would fit together.

A tract of land eventually came up for sale across the road from the Andersons’ home. They bought the property and Dusty began clearing trees. He designed and built tall arching trusses that make up the building’s rib cage, hoisting them upright with some assistance from helpful neighbors. “People were thinking, ‘What’s he doing out there?’” he says with a laugh.

He included skylights down the middle of the roof to provide ventilation and a little light, and built louvered windows for the same purpose. He built a tidy concession stand in one corner of the foyer and left the opposite side open for a seating area.

Dusty bought a speaker system from a friend who upgraded to a more high-tech setup. “They go back to the ’80s but they sound good,” he says. The theater seats also came second-hand, from a lecture hall at West Virginia Wesleyan College. The school had planned to send them to the landfill, but Dusty spent a whole weekend hauling them back to his theater. Each seat still has a fold-up desk bolted to the right-hand side—which makes for a handy place to rest your hotdog and pop while enjoying a show.

After years of planning and years of construction, the theater opened its doors in 2003. Now in its 14th season, Jerry Run hosts about 25 shows each year, beginning in late spring and running until early fall. Despite its out-of-the-way location, the theater has attracted scores of musical acts from across the state and around the country, as evidenced by the wall of framed pictures hanging in the foyer. Most are bluegrass bands—that’s what most local bands play, and that’s what audiences like to hear—but there have been rock, country, and folk groups, too. As word of the quaint little venue has spread, so has its roster.

In October 2014, Jerry Run Summer Theater got its biggest act to date:
internationally renowned songwriter Sam Beam, who goes by the stage name Iron & Wine. Beam’s manager Howard Greynolds saw an article about Jerry Run in a Chicago newspaper. Greynolds has family in Clarksburg, so he decided to stop by on his next visit to the Mountain State. He asked Dusty if Jerry Run would host one of his acts someday—to which Dusty agreed, although he didn’t expect anything would come from it. “We thought, we’ll never hear from this guy again,” Renee says.

More than a year later, however, Greynolds called the Andersons and asked if they would put on a special concert by Iron & Wine. Beam had been inspired by Dusty’s story and wanted to feature the theater in a short concert film to promote his new collection of early songs, Archive Series Volume No. 1.

Beam’s people trucked in loads of fancy cameras and lighting rigs, along with generators to power everything. The show attracted fans from Charleston and Morgantown and Pittsburgh, along with Jerry Run’s usual band of regulars. “People were just so thrilled. The crowd was hanging on every word,” Renee says.

The concert film—called “Dreamers and Makers are my Favorite People,” now easily found on YouTube—has gained Jerry Run national recognition, but it hasn’t changed the venue’s handmade charm. When the Andersons opened the theater in late April for this year’s first show, Renee was still at the concession stand, slinging hot dogs, pepperoni rolls, and popcorn with her longtime helper Barb Kopanko. Renee’s sister Linda Pugh was still behind the cash box collecting admission. “Glad to see you open again,” a woman said as she handed over her five-dollar bill.

At seven o’clock sharp the night’s entertainment, a Buffalo, New York-based folk rock group, walked onstage with Dusty in hot pursuit. He strode up to the mic, hands tugging at the lapels of his unbuttoned denim shirt. “Please welcome—Savannah and the Kings!”

Dusty was off the stage almost before the applause began. His tall, lanky frame quickly carried him to the darkened balcony, where he took his place behind the mixing board. Next week he’ll sweep up the popcorn off the floor and wipe up any coffee rings left on the folding desks. If a breaker knocks out the lights again, he’ll be the one hunting down the problem. But while the band is onstage, Dusty can just sit back, enjoy the songs, and appreciate a music scene he built with his own two hands.

Published by zackharold on June 9, 2016 | Permalink